project
works
David Lang

the loser (2016) 60'

solo baritone, solo piano; perc, va, vc, db

The Brooklyn Academy of Music, 2016 Next Wave Festival

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works
works
Michael Gordon

Lightning at our feet (2008) 75'

four singer/performers playing violin, cello, piano, electric guitar, and electronics [all instruments and voices amplified]

BAM 2008 Next Wave Festival and Mitchell Center for the Arts at the University of Houston

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event
event
event
interviews

BOMB Magazine

December 1, 2012

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David Lang is one of the most thoughtful composers working today. His music is consistently probing, emotionally urgent, strange, and beautiful. It is also getting simpler as the years roll on—a sign that the mind behind it is undergoing a kind of ritualistic purification. I’ve been obsessed with David’s music since I bought a recording by mail order of his piece cheating lying stealing when I was in high school, and I have written a piano piece called David Lang Needs a Hug…

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works
Julia Wolfe

Anthracite Fields (2014) 65'

SATB chorus, cl, egtr, perc, pno, vc, db

Anthracite Fields was commissioned through Meet the Composer's Commissioning Music/USA program, which is made possible by generous support from the Mary Flagler Cary Charitable Trust, New York City Department of Cultural Affairs, the William and Flora Hewlett Foundation, and the Helen F. Whitaker Fund. Additional support was made possible through the Mendelssohn Club of Philadelphia Alan Harler New Ventures Fund; the Presser Foundation; The Pew Center for Arts & Heritage through Philadelphia Music Project.

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works
David Lang

love fail (2012) 60'

Text by David Lang (after Lydia Davis, Marie de France, Gottfried von Strassburg, Béroul, Thomas of Britain and Richard Wagner)

SSAA playing simple percussion instruments

love fail was co-commissioned by The Brooklyn Academy of Music’s 2012 Next Wave Festival, The International Festival of Arts & Ideas, The John F. Kennedy Center Abe Fortas Memorial Fund, The Center for the Art of Performance at UCLA, The Secrest Artists Series at Wake Forest University, and Hancher Performances at the University of Iowa. Movement 4, 'the wood and the vine', was commissioned by The Newman Center for the Performing Arts at University of Denver, The University of California at Riverside, and the Santa Fe Concert Association in Santa FE, NM. Movement 10, 'I live in pain', in a different version, was originally written for “TheCrossing,” Donald Nally, conductor.

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