Search Results for:
Center for New Music
prisoner of the state (2019) 75'
soprano, tenor, baritone, bass; men's chorus; 2+pic.2.2(bcl).2+cbn/4.2[in C].2.0/timp/3 perc/strings
New York Philharmonic, de Doelen Concert Hall, Barbican Centre, l’Auditori, Bochum Symphony Orchestra, Concertgebouw Bruges, and Malmö Opera.
Steel Hammer (2009) 70'
SSA, cl, perc, gtr, pf, vc, db
Maria and Robert A. Skirnick and Carnegie Hall
Friday, July 15, 2011
David Lang • Julia Wolfe
Lang’s ‘wed’ and Wolfe’s ‘Early That Summer’, performed by ETHEL string quartet at Silvermine Arts Center, New Canaan, CT
Saturday, September 13, 2014
David Lang
‘death speaks’ performed by Shara Worden and New Music Detroit
Detroit, MI
Saturday, September 27, 2008
Julia Wolfe
Cruel Sister – New Music Ensemble [via Krannert Center]
What to Wear (2005) 65'
Text by Richard Foreman
2S, A, T, small female chorus
2kbd, perc, egtr, 2vn, db, drums [all instruments and voices amplified]
The Center for New Performance at CalArts and the Ontological-Hysteric Theater with funds provided by the Mary Flagler Cary Charitable Trust. What to Wear is also a Meet the Composer Commissioning Music/USA commission and was produced with the additional support of the Shubert Foundation.
love fail (2012) 60'
Text by David Lang (after Lydia Davis, Marie de France, Gottfried von Strassburg, Béroul, Thomas of Britain and Richard Wagner)
SSAA playing simple percussion instruments
love fail was co-commissioned by The Brooklyn Academy of Music’s 2012 Next Wave Festival, The International Festival of Arts & Ideas, The John F. Kennedy Center Abe Fortas Memorial Fund, The Center for the Art of Performance at UCLA, The Secrest Artists Series at Wake Forest University, and Hancher Performances at the University of Iowa. Movement 4, 'the wood and the vine', was commissioned by The Newman Center for the Performing Arts at University of Denver, The University of California at Riverside, and the Santa Fe Concert Association in Santa FE, NM. Movement 10, 'I live in pain', in a different version, was originally written for “TheCrossing,” Donald Nally, conductor.
Lightning at our feet (2008) 75'
four singer/performers playing violin, cello, piano, electric guitar, and electronics [all instruments and voices amplified]
BAM 2008 Next Wave Festival and Mitchell Center for the Arts at the University of Houston
cheating, lying, stealing (1993, rev. 1995) 11'
bcl,vc,pf,perc,and 2 antiphonal brake drums
Meet the Composer/Readers Digest Commissioning Program for Present Music, Pittsburgh New Music Ensemble, and Collage