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David Lang
Glenn Memorial United Methodist Church at Emory University
Atlanta, GA
works
event
Michael Gordon
University of Nebraska-Lincoln
Glenn Korff School of Music
Lincoln, NE
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Francine Prose9/13/2016 The Loser, David Lang’s beautiful and startlingly original opera, had its world premiere this month at the Brooklyn Academy of Music. Composed for a solo baritone, a chamber ensemble, and a concert pianist, the opera (Lang not only wrote the music but is also responsible for the libretto and the stage direction) has been adapted from the Thomas Bernhard novel of the same name—a book which, since its publication in 1983, has attracted an almost cultish following…
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By David Lang
http://www.themillions.com
September 22, 2016
In 1998, I wrote music for a production of Friedrich Schiller’s play Mary Stuart at the American Conservatory Theater in San Francisco. The director was my friend Carey Perloff, the music was sung by the spectacular men’s vocal ensemble Chanticleer, and the translation of the text was by the writer and Village Voice theater critic Michael Feingold. There can be a lot of down time for a composer and a translator during theater rehearsals so Michael and I passed the time telling each other stories about books we should be reading, and Michael suggested I read Thomas Bernhard’s The Loser…
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In 1998, I wrote music for a production of Friedrich Schiller’s play Mary Stuart at the American Conservatory Theater in San Francisco. The director was my friend Carey Perloff, the music was sung by the spectacular men’s vocal ensemble Chanticleer, and the translation of the text was by the writer and Village Voice theater critic Michael Feingold. There can be a lot of down time for a composer and a translator during theater rehearsals so Michael and I passed the time telling each other stories about books we should be reading, and Michael suggested I read Thomas Bernhard’s The Loser…
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The music of Beethoven and Bach gets a lot of attention in the Berkshires every summer. But amid the more august offerings, there is a musical collective that wants to rip the powdered wig off traditional classical music. Playing the work of living composers, and using unconventional methods, they are interested in anything but a musical history lesson.
Leading a string ensemble of about twenty musicians an hour before their public recital, conductor Brad Lubman gives his players an unusual criticism—they sound too polished, clean, locked in with each other…
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the loser September 7-11, 2016. Brooklyn Academy of Music. Gilman Opera House.
He appears to float in the nothingness. Confined to a tall tower 20 feet above the seats, he is alone, broken, and has a story to tell.
In this daringly staged one-act opera from Pulitzer Prize-winning composer David Lang—featuring mezzanine-only seating and based on the novel by Austrian writer Thomas Bernhard—a failed piano student (baritone Rod Gilfry, Anna Nicole, 2013 Next Wave) recounts a life lived in the shadows of his famous friend Glenn Gould…
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This season, the New York Philharmonic concludes their three-week-long Music of Conscience initiative, as well as their subscription season, with the world premiere of David Lang’s opera prisoner of the state on June 6–8, 2019, conducted by their new Music Director Jaap van Zweden. Co-commissioned by the New York Philharmonic, Rotterdam’s de Doelen Concert Hall, London’s Barbican Centre, Barcelona’s l’Auditori, Bochum Symphony Orchestra, and Bruges’s Concertgebouw, prisoner of the state is the story of a woman who disguises herself as a prison guard to rescue her husband from unjust political imprisonment…
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