On June 3, John Kennedy and the Spoleto Festival Orchestra present the US Premiere of Michael Gordon’s monumental Rewriting Beethoven’s Seventh Symphony.

Commissioned by the Beethoven-Bonn Festival and premiered by the Bamberger Symphoniker in 2006, Rewriting Beethoven’s Seventh Symphony filters one of the classics of the symphonic repertoire through the lens of the 21st-century. Not looking to improve on the work’s timeless quality, Gordon imagined “what if someone unknowingly used this material in the course of writing his or her new work?”

Gordon writes:

Beethoven’s brutish and loud music has always inspired me…

January 24–26, the New York Philharmonic premiered Julia Wolfe’s Fire in my mouth, commissioned by the orchestra, Cal Performances at the University of California, Berkeley; the Krannert Center at the University of Illinois Urbana-Champaign, and the University Musical Society at the University of Michigan, Ann Arbor.

Wolfe’s music focuses on the garment industry in New York City at the turn of the century — specifically the 1911 Triangle Shirtwaist Factory fire, which killed 146 garment workers, most of them young, female immigrants…

On Monday April 8 — appropriately, the 2024 Solar Eclipse — The Tallis Scholars give the New York premiere of David Lang’s sun-centered at Carnegie Hall/Zankel Hall. Commissioned for the Tallis Scholars by Cal Performances, Carnegie Hall Corporation, Hopkins Center, John F. Kennedy Center for the Performing Arts, Stanford Live, Virginia Tech and Concertgebouw Bruges (Belgium), the work is a meditation on humanity’s predilection for disbelief…