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Michael Gordon

Acquanetta (2005, rev. 2017) 70'

Text by Deborah Artman, CHAMBER VERSION: 3 Sopranos, Tenor, Bass, with female choir, plus amplified chamber ensemble

ORCHESTRA VERSION: S, Mz, A, T, Bar; SATB chorus, 2(2pic).2.3.1+cbsn/2321/2perc/kbd.eb/str

Acquanetta was commissioned by Theater Aachen, supported by NRW KULTURsekretariat (Wuppertal) and North Rhine-Westphalia Government, Ministry for Urban Development, Culture and Sport from the "Fonds Neues Musiktheater" Chamber version of Acquanetta commissioned by Beth Morrison Projects, with lead funding from Linda and Stuart Nelson, for PROTOTYPE Festival 2018.

Program Note Libretto Video Recordings rent music score preview More Info

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Lang’s score “gorgeous” in Sorrentino’s film premiered at Cannes 2015.

Cannes Film Review: ‘Youth’

Variety Magazine

http://variety.com/2015/film/festivals/youth-review-cannes-michael-caine-paolo-sorrentino-1201501415/

Jay Weissberg

Cannes, France — In “The Great Beauty,” there’s a flashback in which a young Jep Gambardella recalls the promise of love — its loss, with the betrayal of youthful ideals, leads to Jep’s crushing self-contempt. It’s a tender moment in a film of deep cynicism, and now Paolo Sorrentino, with “Youth,” delivers his most tender film to date, an emotionally rich contemplation of life’s wisdom gained, lost and remembered — with cynicism harping from the sidelines, but as a wearied chord rather than a major motif…

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