project
works
Julia Wolfe

Fire in my mouth (2019) 48'

SSAA, girls choir, and orchestra 3.3.3.3/4.3.2.1.1/4perc.timp/hp.pf.egtr.ebass/strings

The New York Philharmonic; Cal Performances at the University of California, Berkeley; the Krannert Center at the University of Illinois Urbana-Champaign, and the University Musical Society at the University of Michigan, Ann Arbor.

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event
works
David Lang • Julia Wolfe • Michael Gordon

The Carbon Copy Building (1999) 72'

music by Michael Gordon, David Lang and Julia Wolfe; Text by Ben Katchor

Cast: Ms, T, Bar, Bar/Ct; cl(bcl, cbcl, ssx)/perc/syn/egtr [all instruments and voices amplified]

Settembre Musica Festival and the city council of Turin, Italy, with additional support from the National Endowment for the Arts.

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works
Michael Gordon

What to Wear (2005) 65'

Text by Richard Foreman

2S, A, T, small female chorus
2kbd, perc, egtr, 2vn, db, drums [all instruments and voices amplified]

The Center for New Performance at CalArts and the Ontological-Hysteric Theater with funds provided by the Mary Flagler Cary Charitable Trust. What to Wear is also a Meet the Composer Commissioning Music/USA commission and was produced with the additional support of the Shubert Foundation.

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news

‘the little match girl passion’ performed by The Crossing at Met Museum: New York Times review

A Haunting Tale, Perfect for Christmas
The Crossing in ‘The Little Match Girl Passion,’ at the Met

Tina Fineberg for The New York Times

Members of the Crossing, a choir of 24, at the Metropolitan Museum.

By Published: December 24, 2012

At holiday time, the Metropolitan Museum of Art draws countless visitors to its Medieval Sculpture Garden to see the splendidChristmas tree and 18th-century Neapolitan crèche

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interviews

Big risks and adventurous friends: How composer Julia Wolfe became a renegade

September 15, 2022
NPR Music
Editors’ Picks

Sometimes, all you need is a little push. In the fall of 1976, when Julia Wolfe arrived at the University of Michigan from Pennsylvania, she was just 17 and viewed herself as a “wild teenager” with her sights on social sciences and politics. Activism was a possible path. Music wasn’t on her radar.

But one day, a friend coaxed Wolfe into taking a peculiar music class, taught by a forward-thinking Quaker who didn’t care how much you knew about composing…

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news
news
news

Bang on a Can All-Stars Premiere Field Recordings

At the Barbican Centre in London, on March 20, 2012, the Bang on a Can All-Stars premiere Field Recordings — with new works by Gordon, Lang and Wolfe. The evening-length project that is as much a mystery as a concert – a kind of ghost story. The ghosts aren’t the physical presence of people gone before, but they are the ghosts of sounds, images, ideas, and voices. Each composer has been asked to find and interact with something recorded before, using the power of music made right in front of us to reach out to other things not present…

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