From January 9 – 14, the Prototype Festival presents a new, commissioned, chamber version of Michael Gordon’s opera Acquanetta at the Gelsey Kirkland Arts Center in DUMBO, Brooklyn. Based on a 1940’s B-movie horror flick called Captive Wild Woman, starring an enigmatic actress and former cheesecake model named Acquanetta, the opera’s libretto is written by Deborah Artman.

Stunning and exotic, Acquanetta played the untameable and gorgeous creation resulting from a mad scientist’s experiments on an ape, a role the young actress sizzled in and played so well a sequel was soon in the can…

NYT Review: A B-Movie Starlet Becomes an Opera Diva in ‘Acquanetta’

By Seth Colter Walls
January 10, 2018

A large screen looms over the stage. Projected onto it is a black-and-white close-up on an eyeball, fluttering in a state of nervous distress.

An overture, powered by distorted electric guitar and staccato strings, accompanies this sooty B-movie-style image. A choir grasps toward high-pitched wails…

From January 7-14, the Prototype Festival presents the New York premiere of David Lang’s anatomy theater, co-produced by Beth Morrison Projects, with set design by Mark Dion, direction by Bob McGrath, conductor Christopher Rountree and the International Contemporary Ensemble, plus Bill Morrison (video), Laurie Olinder (projection), Christopher Kuhl (lighting), and Alixandra Gage Englund (costumes).

Based on actual 18th-century texts, anatomy theater follows the astonishing progression of an English murderess: from confession to execution and, ultimately, public dissection before a paying audience of fascinated onlookers…