Julia Wolfe’s ‘Fire in my mouth’ focuses on 1911 factory tragedy and the plight of working women in the early 20th century

[LINK TO WSJ.COM]

Composer Julia Wolfe, second from right, spoke with members of the public as part of a special event, co-presented with the New York Philharmonic, at the Tenement Museum earlier this month. Photo: Agaton Strom for The Wall Street Journal By Elizabeth Yuan Jan…

June 8-10, conductor Kirill Petrenko and the Berlin Philharmonic gave the world premiere of Julia Wolfe’s Pretty. Co-commissioned by the Berlin Philharmonic, Houston Symphony, Philadelphia Orchestra, and the St. Louis Symphony Orchestra, Pretty was the third premiere of Wolfe’s in as many weeks — beginning May 25 in San Francisco with the west coast premiere of Her Story, and then June 1-3 with the New York Philharmonic’s world premiere of unEarth…

Julia Wolfe’s large-scale work for choir and orchestra Fire in my mouth is released digitally today (August 30) on Decca Gold. It was recorded live at the world premiere in January 2019 by the New York Philharmonic, The Crossing and The Young People’s Chorus of New York City. The physical album will be available October 4.

Fire in my mouth is based on the garment industry in New York City at the turn of the century, with a focus on the 1911 Triangle Shirtwaist Factory fire and its aftermath…

I have worked with So Percussion for a very long time now and I know them really well. When I got the opportunity to write a concerto for them I wanted to make it specifically for them, for the things that they have been concentrating on for the past few years. The are frequently theatrical, they invite found objects into their performances, they build their own instruments, etc. I wondered if I could make the unusualness of their musicality the centerpiece of this concerto, but how could an orchestra of ‘normal’ instruments doing mostly ‘normal’ things find common ground with them?…