David Lang is one of the most thoughtful composers working today. His music is consistently probing, emotionally urgent, strange, and beautiful. It is also getting simpler as the years roll on—a sign that the mind behind it is undergoing a kind of ritualistic purification. I’ve been obsessed with David’s music since I bought a recording by mail order of his piece cheating lying stealing when I was in high school, and I have written a piano piece called David Lang Needs a Hug…
Described by The Boston Globe as “[an] epic explosion and reconstruction of the folk ballad,” Julia Wolfe’sSteel Hammer is a meditation on over 200 versions of the John Henry legend, with voices and the Bang on a Can All-Stars, along with mountain dulcimer, wooden bones, banjo, harmonicas, clogging, and body percussion…
Julia Wolfe’s Pulitzer-Prize winning oratorio for chorus and instruments, Anthracite Fields, will be released on Cantaloupe Music on September 25, 2015. Wolfe wrote the piece after doing extensive research about the coal-mining industry in an area very near where she grew up in Pennsylvania. Her text draws on oral histories, interviews with miners and their families, speeches, geographic descriptions, children’s rhymes, and coal advertisements…
Outside my window on Desbrosses Street, a giant piledriver is rhythmically knocking a metal column into the earth. From my studio I hear the resonance, a complex palette of ringing overtones which linger in the air for a few seconds and then disappear…
