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Usedom Music Festival
the loser (2016) 60'
solo baritone, solo piano; perc, va, vc, db
The Brooklyn Academy of Music, 2016 Next Wave Festival
Thursday, April 29, 2010
David Lang
Little Match Girl Passion, for SATB Chorus – Oxford performance in February [via Music Sales Ltd/Chester Music] – Northern Sinfonia [via Music Sales Ltd/Chester Music]
prisoner of the state (2019) 75'
soprano, tenor, baritone, bass; men's chorus; 2+pic.2.2(bcl).2+cbn/4.2[in C].2.0/timp/3 perc/strings
New York Philharmonic, de Doelen Concert Hall, Barbican Centre, l’Auditori, Bochum Symphony Orchestra, Concertgebouw Bruges, and Malmö Opera.
Shelter (2005) 65'
music by Michael Gordon, David Lang and Julia Wolfe; text by Deborah Artman
3 Sop, fl, ob, cl, bn, hn, tpt, tbn, tba, pno, egtr, eb, perc, 2 vln, vla, vc, cb [all instruments and voices amplified]
The Next Wave Festival of the Brooklyn Academy of Music, musikFabrik and Kunstiftung NRW
December 14–December 21, 2012
David Lang
‘the little match girl passion’ staged by Opera North and performed by I Fagiolini in London at Spitalfields Winter Music Festival
David Lang Wants to Be More Superficial
In 1987, David Lang was a 30-year-old composer and doctoral student who, with his Yale buddies Michael Gordon and Julia Wolfe, founded Bang on a Can, a scruffy organization dedicated to the proposition that all musics are created equal. These days, Lang is an eminence: Pulitzer Prize winner, member of the Yale faculty, and composer in residence at Carnegie Hall for 2013-14. Justin Davidson talked with him midway through “collected stories,” a six-concert festival he curated at Carnegie’s Zankel Hall, and days before the release of his recordinglove/fail…
continue readingthe whisper opera (2013) 60'
text by David Lang
soprano; flute, clarinet, percussion, cello
International Contemporary Ensemble (ICE)
death speaks (2012) 26'
Text by David Lang
soprano, vln, egtr, pno - all amplified
Carnegie Hall Corporation and Stanford Lively Arts
Steel Hammer (2009) 70'
SSA, cl, perc, gtr, pf, vc, db
Maria and Robert A. Skirnick and Carnegie Hall