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What's Next? Ensemble
prisoner of the state (2019) 75'
soprano, tenor, baritone, bass; men's chorus; 2+pic.2.2(bcl).2+cbn/4.2[in C].2.0/timp/3 perc/strings
New York Philharmonic, de Doelen Concert Hall, Barbican Centre, l’Auditori, Bochum Symphony Orchestra, Concertgebouw Bruges, and Malmö Opera.
the loser (2016) 60'
solo baritone, solo piano; perc, va, vc, db
The Brooklyn Academy of Music, 2016 Next Wave Festival
BOMB Magazine
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David Lang is one of the most thoughtful composers working today. His music is consistently probing, emotionally urgent, strange, and beautiful. It is also getting simpler as the years roll on—a sign that the mind behind it is undergoing a kind of ritualistic purification. I’ve been obsessed with David’s music since I bought a recording by mail order of his piece cheating lying stealing when I was in high school, and I have written a piano piece called David Lang Needs a Hug…
continue readingBig risks and adventurous friends: How composer Julia Wolfe became a renegade
Sometimes, all you need is a little push. In the fall of 1976, when Julia Wolfe arrived at the University of Michigan from Pennsylvania, she was just 17 and viewed herself as a “wild teenager” with her sights on social sciences and politics. Activism was a possible path. Music wasn’t on her radar.
But one day, a friend coaxed Wolfe into taking a peculiar music class, taught by a forward-thinking Quaker who didn’t care how much you knew about composing…
continue readingthe little match girl passion (2007) 35'
Text by David Lang (after H.C. Andersen, H.P. Paulli, Picander and Saint Matthew)
4 voices (SATB) each playing simple percussion
Carnegie Hall Corporation and The Perth Theater and Concert Hall for Paul Hillier and Theatre of Voices
the little match girl passion – for chorus (2008) 35'
Text by David Lang (after H.C. Andersen, H.P. Paulli, Picander and Saint Matthew)
chamber choir, plus 4 voices (SATB) each playing simple percussion
the National Chamber Choir of Ireland
love fail – arr. female chorus (2012, rev. 2016) 60'
Text by David Lang (after Lydia Davis, Marie de France, Gottfried von Strassburg, Béroul, Thomas of Britain and Richard Wagner)
SSAA chorus (or 8 solo women singers) playing simple percussion instruments
The Brooklyn Academy of Music’s 2012 Next Wave Festival, The International Festival of Arts & Ideas, The John F. Kennedy Center Abe Fortas Memorial Fund, The Center for the Art of Performance at UCLA, The Wake Forest University / Secrest Artists Series, and Hancher Performances at the University of Iowa
love fail (2012) 60'
Text by David Lang (after Lydia Davis, Marie de France, Gottfried von Strassburg, Béroul, Thomas of Britain and Richard Wagner)
SSAA playing simple percussion instruments
love fail was co-commissioned by The Brooklyn Academy of Music’s 2012 Next Wave Festival, The International Festival of Arts & Ideas, The John F. Kennedy Center Abe Fortas Memorial Fund, The Center for the Art of Performance at UCLA, The Secrest Artists Series at Wake Forest University, and Hancher Performances at the University of Iowa. Movement 4, 'the wood and the vine', was commissioned by The Newman Center for the Performing Arts at University of Denver, The University of California at Riverside, and the Santa Fe Concert Association in Santa FE, NM. Movement 10, 'I live in pain', in a different version, was originally written for “TheCrossing,” Donald Nally, conductor.
Travel Guide to Nicaragua (2022) 70'
for solo cello and 24 voice choir
solo cello, SATB
Carnegie Hall, Penn Live Arts