works
Michael Gordon

CORPUS (2017) 25'

1.2.0.2/2.0.0.0/hpd/str

Zurich Ballet for a new work by choreographer Douglas Lee.

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works
David Lang

prisoner of the state (2019) 75'

soprano, tenor, baritone, bass; men's chorus; 2+pic.2.2(bcl).2+cbn/4.2[in C].2.0/timp/3 perc/strings

New York Philharmonic, de Doelen Concert Hall, Barbican Centre, l’Auditori, Bochum Symphony Orchestra, Concertgebouw Bruges, and Malmö Opera.

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works
Julia Wolfe

Fire in my mouth (2019) 48'

SSAA, girls choir, and orchestra 3.3.3.3/4.3.2.1.1/4perc.timp/hp.pf.egtr.ebass/strings

The New York Philharmonic; Cal Performances at the University of California, Berkeley; the Krannert Center at the University of Illinois Urbana-Champaign, and the University Musical Society at the University of Michigan, Ann Arbor.

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works
works
Michael Gordon

Van Gogh (1991) 63'

Text by Michael Gordon (based on the letters of Vincent Van Gogh)

Cast: S,T,B,cl(bcl),perc,egtr,pn,vn,va,vc,db

New York State Council on the Arts

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event
project
interviews

NPR Interview with Michael Gordon: El Sol Caliente premiere

January 29, 2015
WLRN’s Alicia Zuckerman interviews Michael Gordon and film maker Bill Morrison about their work El Sol Caliente.

Listen to an audio piece about how composer Michael Gordon and filmmaker Bill Morrison work together and what went into their 13th collaboration, inspired by the 100th anniversary of the city of Miami Beach.

The composer Michael Gordon and filmmaker Bill Morrison have been fusing their visions for upwards of 17 years …

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writing

Jacob Druckman’s Horizons

January 1, 2000
Jacob Druckman’s Horizons an article for an unpublished Druckman memorial edition of Contemporary Music Review, (2000), Harold Meltzer, editor.   What we are celebrating with this festival is all the new music.   So wrote Jacob Druckman in the program booklet for Horizons ’84, The New Romanticism – A Broader View, the second festival of three that Druckman curated for the New York Philharmonic in 1983, 1984 and 1986.  The statement is not totally true – the Horizons Festivals were never supposed to be about all the new music…continue reading
writing

Slate.com

December 9, 2015

I had two jobs my senior year in high school—a music-related job and a film-related job. All these years later, both are on my mind, since I have been spending time in Los Angeles helping to promote Paolo Sorrentino’s new film Youth, for which I wrote the music

I live in New York, but I grew up in Los Angeles, in Westwood, which is the neighborhood that surrounds UCLA. These days Westwood is a kind of anonymous shopping district, but in 1973, when I worked there, it still felt like a college town…

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